Related Paintings of unknow artist :. | First Sense of Coquetry | Spaziergang auf der Allee im Park | Arab or Arabic people and life. Orientalism oil paintings 250 | Still life floral, all kinds of reality flowers oil painting 394 | Das Bett |
Related Artists:
John Robert Cozens
British 1752-1797 ). Painter, draughtsman and printmaker, son of (1) Alexander Cozens. He was taught by his father, and an album by John Robert (Aberystwyth, N. Lib. Wales) indicates that he also learnt to sketch landscape directly from nature. The album contains drawings that record sketching tours to Nacton, near Ipswich, Suffolk (Aug 1768); day trips to the outskirts of London: Greenwich and Blackheath (1768, 1771), Epsom (1768) and Hampstead (1770-71); and a trip to Matlock, Derbys (June 1772). The earliest of these sketches are careful pencil drawings, some later reworked in pen, ink and wash, and there is at least one attempt at added colour. Later drawings are freer, either noting an idea for a composition or recording light and shade with rapid washes of ink over pencil. His father worked mainly in monochrome brown or grey washes, and John Robert earliest exhibits (he exhibited at the Society of Artists every year from 1767 to 1771) were also in this medium.
miskin
miskin was one of the best painters in the imperial atelier of akbar(1542 to 1605).
Girolamo Forabosco
1604-1679 Italian Girolamo Forabosco Location Italian painter. He was active in Padua and Venice, where he was enrolled in the Fraglia dei Pittori between 1634 and 1639 and paid taxes from 1640 to 1644. His early work, such as the portrait of the so-called Menichina (1624; Rome, Pal. Barberini), was influenced by that of Alessandro Varotari (Padovanino), who had revived the style of Titian. He also adopted compositional and formal schemes from Tiberio Tinelli, as in the Portrait of a Woman. The large canvas of the Miraculous Rescue (1646; Malamocco, S Maria Assunta), commissioned by Giovanni Ventura as an ex-voto for his escape from a shipwreck, shows Forabosco, unconstrained by the narrative and devotional character premises of the undertaking, creating a tender portrait group, distinguished by its spontaneity. The most striking quality of his work is its combination of physiognomic exactitude with free, fluid brushwork.